quarta-feira, 10 de junho de 2009
domingo, 7 de junho de 2009
Sugestão , 3ª Feira dia 9 Junho , Lisbon Calling , Lisboa
Postado por
Merton
às
15:42
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quinta-feira, 4 de junho de 2009
Discobertas : Rock em Stock , o disco , 1º Aniversário 1980
Outros grupos saltaram do anonimato e tiveram alguma promoção radiofónica graças ao "Rock em Stock" , exemplo , os The VIP's , que tiveram algum tempo de antena , com o single "Quarter of Moon" , sucesso moderado que permitiu a edição de um segundo single em Portugal "Thing’s aren’t used to be ".
Postado por
Merton
às
18:40
6
comentários
Marcadores: discobertas, rock em stock
sexta-feira, 22 de maio de 2009
Mods Mayday 2009 , a review

Darren and Gary Sparks from RT3 , Purple Hearts
I followed the ever evolving line up in the months preceding the event and was impressed by both the amount of bands that would be squeezed into the weekend and also by their diversity, spanning the period from 1979 right up to the present day
So, on Friday May 1st after the short journey from Dublin, I found myself in the Sound Bar in Birmingham city for the kick off of the weekend events. As is not unusual at these events the first night was a much quieter affair than the following two days would prove to be. But for those of us that did attend we were treated to two excellent bands and a great mix of sounds from the DJs. First band on the bill were a band called Nite Politics. Certainly the youngest band of the weekend, I’m sure they are all probably still in school, but their probable inexperience and slight nerves were more than compensated by their ability, playing a mixture of powerpop/punk tinged originals and covers.
The ItchThe remainder of the night for me was spent drinking pints of ale and chatting to people while the DJs earned their keep. I left for my hotel at about 2.30am with the party still going on but Saturday was going to be a long day and I needed my rest!
After waking remarkably unhungover on Saturday morning and getting a breakfast and doing a little shopping in the city centre it was soon time to head back to the Sound Bar.
I arrived to the welcome signs of “Sold Out – Tickets Only” plastered outside the venue, it was going to be a squeeze in there today.
The Upper FifthThe party kicked off in the early afternoon with The Upper Fifth and they proved to be one of the highlights of the weekend for me. I have heard some of their recordings and honestly haven’t been too excited by them but live they are a different beast. Mark McGouden, former front man with 80s modsters Makin’ Time has lost none of his stage presence and the heavy Hammond beat, interspersed with banter with the audience went down well with everyone.
Next up were the 9 piece DC Fontana, I’m not sure how they all managed to fit on such a small stage but they did and their brass infused soul pop was infectious. This band is constantly gigging and that showed in how tight they were on stage.
Even with Rinaldi Sings and Mike Walker (The Circles) pulling out of the event, time was still tight with bands and sets were necessarily short, so we weren’t long in waiting for Yeh Yeh to come on next. This was reportedly going to be their last gig, so I was disappointed that they didn’t play their 80s mod classic “You Will Pay”, particularly as this is the song most people are familiar with. That aside, they played an appreciated set of mostly original tunes with a couple of covers thrown in the mix.
Due to the necessity of taking a couple of hours break from ale drinking and getting some much needed soakage, I went back to my hotel for a change of clothes and some food. By the time I got back to the Sound Bar I had missed the set by Shaugnessy and most of the set by The Visitors (which featured event organiser John Lister). However the big guns were still to come.
By the time The Teenbeats hit the stage the venue was jammed and getting a pint at the bar was proving a monumental task (never the easiest job with English bar staff at the best of times).
TeenbeatsI had heard mixed reviews about a Long Tall Shorty gig at a scooter rally in Ireland a few weeks prior to the mods mayday event. It seems they had played a lot of cover versions but that is likely because they were playing to a scooterist crowd who are generally known for their love of cover bands! They were also without guitar supremo Gary Woods at that event. At mods mayday they played a blinder, all the LTS classics were played to an ecstatic crowd but again the whole set seemed to flash by.
The SquireHeadliners of the night were Squire; I had seen these only once previously and was really looking forward to a second helping. It was announced prior to the event that Squire would be playing their set list, in the same order from the Mods Mayday ’79 event. I’m not sure if that came to pass (the beer must’ve been taking effect at this stage) but I do remember signing along to “My Mind Goes Round in Circles” and the smiles on everyones faces. A great end to a great day of live music.
Several more pints followed while the DJs took over for the night (as they had been doing between bands throughout the day) and I chatted to people outside the venue. I have only the vaguest recollection of going back to the hotel but I do remember another of the Irish lads waiting in reception for a fast food delivery and asking the guy at reception if the bar was open (it wasn’t).
Sunday morning quickly appeared and after breakfast a couple of pints ensured that any hangover would have to wait to make an appearance.
It was then straight down to the Sound Bar where I found that I’d missed the first band of the day The Coopers.

Modus
Modus were the first band I got to see on Sunday, they’re a band that have been getting a good deal of press coverage in the UK and seem to be making waves. The coverage though may have as much to do with the singer as with the music though! Music wise, they have a very strong Hammond beat sound and an excellent array of original songs. I think it was a pity that they played so early but they have driven down from Scotland especially for the gig and had the same long drive home, so the early slot was a necessity. Through catching up with friends and chatting to people outside, I pretty much missed the sets of the following two bands The Laynes (also from Scotland) and The Q. The few songs I did hear from The Q had an authentic ’79 sound. I’d also recommend their recent 10” release on Time For Action records.
The Petty Hoodlums were up next and certainly win the award for best dressed band of the weekend. As a rule I have very little time for cover bands but along with The Madd from Holland, I’d make an exception for these guys. The songs covered are the more obscure beat, psych and garage numbers and the guys play them so well I wasn’t surprised that many people seeing them didn’t realise that they were covers. Thankfully these certainly aren’t your common or garden “mod” cover bands playing My Generation and Going Underground!
There was no break between bands on Sunday, so if you wanted to eat and change you had to choose which band you were going to miss. I’d seen members of Sta-Prest and their entourage (wearing sleeveless t-shirts announcing that they love Big Dick etc) around during the day and they honestly looked like they needed a good wash, so it was a safe bet that they were the band I would miss. As it turned out, when I returned to the Sound Bar after my feed, I heard that they had been really good – live and learn!
I was also disappointed to have missed The Bresslaws, bedecked in 1960s Star Trek uniforms, as per The Prisoners footage on The Tube tv show in the 80s.
The first band of the evening for me was Fay Hallam and Trinity. These were one the bands I was most looking forward to see of the weekend. I had seen them once previously at a mod weekender in Berlin – but too much German beer ensured that I have practically no memory of it! A set of Trinity originals and a Makin’ Time song or two really went down well with the audience, which was down slightly in numbers from the previous night. Fay Hallams vocals and organ playing are as strong as ever and a very tight rhythm section (who also back Secret Affair) along with a second keyboardist in her son, give them a unique live sound.
The first disaster of the weekend occurred on my next trip to the bar, whereupon I was informed that they’d run out of ale on draught, cans of ale were offered and purchased but I was not a happy camper.
I was pretty certain that I wasn’t going to like Connett who were up next. I was right. The sound is somewhere between solo Weller and very ordinary Brit pop – and it does nothing for me. However, there were many people at the gig who disagreed with me and Connett got an excellent reception from the audience. I was outside drinking beer. Perhaps that was because I knew that I wasn’t going to waste a second waiting at the bar while the next band was on.
Small World have always been one of my favourite bands but I have never had the chance to see them live and had pretty much given up hope. I have attended events where they were due to play but pulled out or have planned to attend events with them on the bill which simply failed to happen.
The RiskI wouldn’t envy any band having to follow Small World but that task fell to The Risk, again a band who I’ve been listening to for a long time but had never seen live. Playing with a two piece brass section really added to the sound and songs such as my favourite of the set “Jobs for the Boys” really got the crowd going.
RT3 featuring Brian KotzThe final band of the weekend were up next, RT3 featuring Gary Sparks and Simon Stebbing from The Purple Hearts. As The Purple Hearts have recently reformed and rumours of special guests were doing the rounds, the crowd hoped that the other members would turn up for a few songs, alas that was not to be. RT3 however pulled out all the stops to give the weekend a real party ending. Special guests were pulled from the crowd in the guise of Brian Kotz from Back to Zero who played their classic “Your Side of Heaven” and Mark Le Gallez from The Risk also went back on stage to perform a couple of covers. RT3 themselves performed all the Purple Hearts classics along with RT3 original tunes to a grateful audience.
The second disaster of the weekend occurred at the bar after the bands had finished when I was informed that they had run out of cans of ale, so reluctantly I went onto rum (I say reluctantly as English spirit measures are very miserly). The DJs took over for the remainder of the night and the crowd dwindled over time. When the bar ran out of rum I knew it was time to go to bed.
The weekend was an overwhelming success, grateful thanks has to go to the organising committee, all the bands and all the DJs. The atmosphere in the Sound Bar on each of the three nights was fantastic.
A ridiculous amount of work must’ve been put into this event and it should also be noted that all the proceeds went to charity. It has certainly been the highlight of 2009 thus far for me and any future events this year will have a tough job replacing it.
texto e fotos são da autoria de Darren Hawthorn
Postado por
Merton
às
06:57
4
comentários
Marcadores: Mod Revival, mods mayday 09
quarta-feira, 20 de maio de 2009
Dicas úteis : Jornal Público oferta Cd Punk New wAve

Postado por
Merton
às
16:26
2
comentários
sexta-feira, 15 de maio de 2009
Vespa Gang , 3º Aniversário , Sábado 16 de Maio

A festa começa ás 23h e vai até ás 6 da matina, a entrada 3 euros com oferta do pin aniversário. O local escolhido: Hula Hula Beach Club na Praia do Rei - Costa da Caparica.
Postado por
Merton
às
20:41
2
comentários
segunda-feira, 11 de maio de 2009
Discoberta : Hollywood Killers

Hollywood Killers , formaram-se no ano de 1976 , comandados por Jim Penfold , coadjuvado por 3 amigos do Liceu. Editam logo o single de estreia "Hot Hazy Days" , nesse mesmo ano , Duncan Reid sai da banda para se juntar aos The Boys.
1978 foi um ano que correu de feição para os Hollywood Killers , com um concerto com os The Pirates , o lançamento do segundo single "Goodbye Suicide" (um dos grandes clássicos perdidos do powerpop).
Tendo gerado algum interesse por parte dos médias musicais , só em 1982 é que se volta ouvir falar dos Hollywood Killers , com a edição do terceiro single , "Butterfly". Single esse que não atingiu os objectivos da editora , Creole , provocando a cessar do contracto que ligava os HK à editora.
O single chegou a ser publicado em Portugal , com uma pequena tiragem por parte da editora independente portuguesa , Promusix , que editou no mesmo ano o LP e o single da banda powerpop inglesa , Pinkees.
Os Hollywood Killers continua a tocar e gravar nos dias de hoje , não desiludido , a conferir no myspace da banda , as músicas mais recentes , "Bad Water" , "Hanaker Row" do cd "TimeBomb" de 2006.
Postado por
Merton
às
13:53
0
comentários
Marcadores: hollywood killers
The Sadists + Clockwork Boys , 4ª Feira , Music-Box , Lisboa
Postado por
Merton
às
05:57
0
comentários
Marcadores: clockwork boys, The sadists
sexta-feira, 8 de maio de 2009
Brigada do Reumático - "Bebedeira Colossal" , 1982

Nada se sabe sobre esta banda , curioso é o facto de ter 3 guitarristas . Single editado em 1982 pela Promusix . No lado B do single está a música "Pai da Aviação". Download
Postado por
Merton
às
04:55
2
comentários
Marcadores: brigada do reumático, powerpop português
quarta-feira, 6 de maio de 2009
domingo, 3 de maio de 2009
Semáforo - Hoje há Rock no Liceu , 7" 1982
Postado por
Merton
às
07:57
3
comentários
Marcadores: powerpop português, Semáforo
sábado, 25 de abril de 2009
Entrevista , Pedro Lima (Opinião Pública)
Opinião Pública , da esquerda para a direita : Pedro Lima, Carlos Baltasar, Carlos Terramoto, Luis FialhoRock no Liceu 1- Podes contar um pouco sobre o começo dos Opinião Pública ? quais as principais influências na altura ?
Pedro Lima - Os OP sao o resultado de um hobby - a musica - que eu e o Carlos Baltasar, o baterista, desenvolvemos desde os nossos 12 anos. De facto, ja tinhamos uma banda (na altura dizia-se conjunto/grupo) ainda antes de sabermos tocar! A medida que a nossa aprendizagem musical se foi fazendo, fomos adicionando/retirando ao nosso projecto os amigos que connosco iam-se interessando/desinteressando por rock. A partir de certa altura (os meus 15/16 anos?), o Carlos Terramoto - voz e guitarras - passou a fazer consistentemente parte desse grupo. O Luis Fialho - baixo - foi o ultimo a entrar, numa altura em que as nossas ideias sobre o que queriamos fazer musicalmente ja andavam muito proximo do projecto OP.
As nossas influencias foram bastante ecleticas e evolutivas com a passagem do tempo. Com 12/13 anos ouvia bastante rock progressivo - genesis, yes, van der graaf generator, king crimson - mas tambem led zeppelin, deep purple, the who, hendrix, lou reed, neil young e claro beatles. Posteriormente, veio o punk e a new wave, com os sex pistols,stranglers, ramones, patti smith, clash, police. e ao mesmo tempo fui descobrindo os stones, com quem aprendi o que era um riff e que me levaram ate aos blues. E um LP que me marcou bastante no final da decada, o manifesto dos roxy music. Mas de uma forma geral ouvia de tudo um pouco, do pop a musica classica.
2- Os OP surgiram juntamente com uma série de outras bandas (o chamado “boom” do Rock Português) , sentiam-se enquadrados nesse movimento , quais as bandas da altura que achavas que tinham qualidade ?
PL - Quando os OP deram o seu primeiro concerto -- ver em baixo -- nao tinha qualquer consciencia da existencia de um boom do rock portugues, talvez porque tivessemos surgido ainda antes do boom. Mas rapidamente foi facil ver que haviam muitas outras bandas que tentavam marcar o seu proprio espaco, tal como nos. As bandas que mais me interessaram nesse periodo foram o Rui Veloso, os GNR (portugal na cee), os street kids, os xutos (ainda muito anti-establishment) e os UHF que eram excelentes nas suas prestacoes ao vivo. E mais tarde os Herois do Mar.
3- O single “Puto da Rua” obteve boa aceitação do público e das rádios , tens alguma ideia de quantas cópias foram vendidas ?
PL - Não faço ideia.

4- Os OP participaram no concurso “Só Rock” no qual foram 2º classificados , lembro-me de ler algumas críticas de vossa parte a esse concurso , podes contar um pouco sobre isso ?
PL - O boom do rock portugues no principio dos anos 80 e, na minha opiniao, um dos simbolos da normalizacao de um pais que tinha vivido decadas de autoritarismo seguidas de um breve periodo de convolucao social em que as preocupacoes politicas ocuparam o centro das atencoes. Com o fim desse processo (o chamado PREC), o pais foi-se aproximando dos outros paises do mundo ocidental, quer economicamente (embora lentamente) quer em termos sociais e culturais. E o rock foi ocupando um pouco o vazio deixado pelas clivagens ideologicas e e tambem o resultado da abertura ao mundo provocada pelo 25 de Abril. Havia tb o impacte dos retornados que traziam habitos sociais diferentes, menos fechados e mais cosmopolitas do que os dos nativos. Uma influencia semelhante -- sobretudo na provincia -- resultava das emigracoes recentes para Franca e ainda para a Alemanha.

O fim dos OP nao e uma consequencia directa do insucesso comercial do LP, embora seja obvio que se tivessemos vendido milhares de copias tudo teria sido diferente! Mas nos continuavamos a ser bastante solicitados para concertos e nenhum dos 4 membros dos OP dependia economicamente da banda. para mim, contudo, chegou uma altura em que me senti a repetir aquilo que ja tinhamos feito: os mesmos concertos, as mesmas entrevistas, as mesmas musicas.

6- Achas que os Opinião Publica poderiam ter tido uma carreira sólida na música , tal qual uns UHF ou uns Xutos & Pontapés ?
PL - Resposta objectiva: nao, tanto assim que de facto fechamos a loja em 1982.
Pedro Lima.7- Quais os momentos mais marcantes dos OP ?
PL - 1. O primeiro concerto dos OP, na Aula Magna do Universidade classica de Lisboa. A realizacao de um sonho de puto, ainda para mais com uma recepcao entusiastica, incluindo convites para mais concertos.

8- Existem gravações “perdidas” (demos de ensaios , inéditos) dos OP ?

9- Uma curiosidade , aonde foi tirada a fotografia da capa frontal do single “Puto da Rua” ?
PL - Eu nao sei se ha algum reconhecimento, pensava que os meus filhos e sobrinhos eram os unicos da nova geracao que ja tinham ouvido falar nos OP. Qd um sobrinho me mostrou o site e a cover do puto da rua dos Albert Fish fartei-me de rir, nunca pensei que alguem pegasse num tema dos OP. Gosto da versao deles, sobretudo do som mais punk que eles lhe imprimiram.

PL - Qualquer reconhecimento dos OP em 2009, em Portugal, no resto do mundo ou mesmo em Marte, surpreende-me.

13- Depois dos Opinião Pública , continuaste ligado à música , tiveste outras bandas ?
14- Hoje em dia ainda manténs o contacto com os outros ex. membros dos Opinião Pública ?
PL - Um contacto marcado pela distancia, ja que eu nao vivo em Portugal ha mais de 20 anos. estive com o Carlos Baltasar este Natal, com o Luis Fialho ha uns dois anos. O Terramoto ja nao vejo ha uns bons anitos. Como podes ver, nao estamos propriamente a preparar a comeback tour...
Banda Desenha "Puto da Rua" , Jornal "O Sete" 198215- Qual é a tua música favorita dos OP ?
16- Por fim , queres deixar algum comentário ?
PL - Como imaginaras alguns detalhes foram sendo apagados pela passagem do tempo... Confesso no entanto que me deu bastante prazer falar disto tudo tanto tempo depois dos OP terem feito o seu percurso.
Postado por
Merton
às
15:17
10
comentários
Marcadores: entrevista exclusivo, opinião pública, Pedro Lima
sexta-feira, 24 de abril de 2009
The Unseen . Faro , 2-4-2009 , fotos
Postado por
Merton
às
06:26
0
comentários
Marcadores: The Unseen
segunda-feira, 13 de abril de 2009
Esta Sexta-Feira , dia 17 Abril , Festa Rock no Liceu
Postado por
Merton
às
15:48
1 comentários
sábado, 11 de abril de 2009
The Blues Band + GGBB , 14-2-1981
Postado por
Merton
às
13:34
0
comentários
Marcadores: Blues Band, concertos em Portugal, go graal blues band
sexta-feira, 10 de abril de 2009
Cinema : "This is England" , estreia nos cinemas nacionais dia 16 Abril
Postado por
Merton
às
09:43
1 comentários
Marcadores: Cinema, this is england



















